Solution · Premiere events

Premiere event guest management
for the red carpet.

Premiere event guest management means one guest list for talent, press, partners and plus-ones that stays current until the lights go down. AirLST keeps invitations, media accreditation, seating and check-in together, right up to the red carpet.

  • Talent, press and distributor kept apart
  • Plus-ones on the main guest
  • Check-in by scan or by name
Premiere, arrival, photo wall

What a premiere demands from guest management

The list is ready by afternoon. It is never finished.

Until the lights go down, you get late RSVPs, plus-ones, a newsroom sending a different photographer and guests who are not on the list but have to get in anyway. A premiere does not need a perfect list. It needs one that is current everywhere at once: on the carpet, at the theater door, in the seating chart and at the after-party.

Staircase with a red carpet in a grand foyer Photo: Remuel / Unsplash

The red carpet does not forgive a second list.

02Behind it

Group, plus-one, seat and access rights on the same guest

A premiere guest is more than a name. There is a group that decides access to the carpet, the theater section and the after-party, a plus-one, a seat and an arrival slot. In AirLST, all of it sits on one record, and the scan at the entrance reads it.

Grouptalent, press, distributor, partners Invitationpersonal, with RSVP Plus-one+1, with name Accreditationoutlet, photo/written, position Seatrow, seat, block TicketQR, per person Accesscarpet, theater, after-party Attendancescan or search
LH
Laura Hayes
Cast · Talent group · with plus-one
RSVPMar 11, 4:20 PM · via agency
Plus-oneTom Lee · own ticket
SeatRow 1 · Seats 8–9
AccessCarpet · Theater · After-party
Arrival slotDrop-off 6:40 PM · Photo wall 6:45 PM
TicketQR · PR7A-K2M9 · valid
Attendance6:42 PM · Carpet · Scan
NoteNo interviews on the carpet
Last change: plus-one added · agency · Mar 14, 3:10 PM · seat 9 assignedVisible to press office, carpet, theater door, after-party
For your team

Every role sees what it needs.

Distributor & PR

Invites talent, partners and press in separate groups.

  • Groups with their own invitation
  • Plus-ones on the guest
  • Live RSVPs
03Guest list

Premiere guest list and invitations: groups, plus-ones, waitlist

Talent, press, distributor, partners and contest winners each get their own invitation, RSVP path and allocation. Acceptances, declines and plus-ones flow into one list that you manage until check-in, with guests moving up from the waitlist and tickets that go out right away.

  • Groups with their own rulesSeparate invitation, RSVP path, allocation and access rights per group; the group is shown on the guest and on the ticket.
  • Named plus-onesA plus-one with a name for ticket and seating chart, or unnamed until the evening; plus-ones inherit the access rights.
  • Moving up from the waitlistA cancellation frees a spot, the next guest is confirmed, ticket and seat go out by email or text, without resending the list.
  • RSVP through the agencyAgencies and assistants reply for their talent through the same link; the RSVP lands on the right guest.
  • Invitations in the look of the filmPersonal invitation, trailer, countdown and directions from invitation management, as built for ProSiebenSat.1.
  • Contests and partner allocationsPartners receive an allocation and add their own guests; contest winners come in through a separate path.
  • Live at every stationThe guest list is one list: carpet, theater door and after-party read the same data.
  • Restrictions and notesNo interviews, no photos, security escort: notes on the guest that the scan shows to your staff.
04Accreditation

Media accreditation for premieres and media events

Newsrooms register their people through a separate path: outlet, role, photo or written press, preferred position. Your press office approves or declines, and the approval creates the accreditation ticket. If a different photographer shows up, you swap the person instead of starting a new request.

A separate path for press

A form from event registration with the fields your press office needs; the request lands in the press group and waits for approval.

Approval instead of back-and-forth

Approve, decline or swap people in the list; ticket, position and time slot go to the right person automatically.

Covered on site

Accreditation, barcode scanning and access control are AirLST services, with staff and equipment from event access control if you want.

05Seating

Premiere seating chart: named seats to the front row

Who sits in row one is not left to chance.

The theater is set up with rows and seats, each group gets its block and each guest a named seat: cast and director up front, distributor and partners behind them, press in its assigned section, plus-ones next to their guest. If someone cancels, you reseat. The seat is on the ticket and shows up on scan.

  • Blocks per group Talent, distributor, partners, press and winners with their own section and allocation.
  • Plus-ones side by side Plus-ones are seated next to the main guest automatically.
  • Reseat, don't reprint Cancellation, waitlist guest, swap: the new seat goes to the guest by email or text.
  • Seat at the entrance The scan shows row and seat; your staff guide guests instead of searching.

How rooms, rows and tables are set up is explained under seating chart software.

06One record

Invitation, accreditation, seating and check-in work on the same guest

That is why there is no press list next to the guest list and no seating chart next to attendance. What the press office approves, the carpet sees. What the carpet scans, the theater door sees. What the theater door sees, the reporting counts.

Laura HayesTalent+1 Tom LeeR1 S8–9PR7A-K2M96:42 PM CarpetAfter-party

After the premiere, event reporting shows RSVPs, attendance per group and no-shows; contacts stay in the event CRM for the next premiere. For VIPs with plus-ones and special access, see corporate hospitality.

07Formats

Premiere, TV event, festival, award show

Film premiere, series launch, TV taping with a live audience, a festival with several screenings, an award show: different formats, the same requirements. Mixed groups, press, seating and a list that changes until check-in.

Audience in a dark movie theater with red velvet seats in front of a bright screenPhoto: Jake Hills / UnsplashFilm premiereCast, distributor, partners, press and winners in the theater
Empty movie screen before the screening startsPhoto: Hafiz Faizan / UnsplashTV taping with an audienceAudience, VIP tickets, entry in waves
Visitors in front of a film festival bannerPhoto: Ardian Lumi / UnsplashFestivalSeveral screenings, one guest list, multi-day accreditation
Guests walking up a grand staircase with a red carpetPhoto: Belov Sergey / UnsplashAward showNominees, presenters, tables, press
Row of red velvet ropes with gold stanchionsPhoto: Jakub Żerdzicki / UnsplashPress conference and screeningAccreditation, time slots, embargo notes
Used by media companies and brands with audience events
ProSiebenSat.1 Zalando Mercedes-Benz Amazon Warner Bros. Discovery

For ProSiebenSat.1, the German media group, AirLST ran the invitation and RSVP process for Germany's Next Topmodel: 5,000 attendees, 150 VIP tickets, 15,000 emails, an RSVP page in the look of the show, QR tickets and check-in scanning on iPhone. For Warner Bros. Discovery, AirLST runs several events with event websites, registration forms and project management. More on the industry under media and entertainment, more projects in our customer stories.

08Outcome

What AirLST guest management brings to your premiere

One list. Current until the lights go down.

  • 01
    Changes without reprintingRSVP, plus-one, waitlist: entered once, visible everywhere.
  • 02
    Press without back-and-forthSeparate path, approval in the list, ticket and position automatically.
  • 03
    The front row is rightNamed seating per group, plus-ones next to their guest, seat on the ticket.
  • 04
    Check-in without flipping pagesScan or name search, group and access at a glance, notes for your staff.
  • 05
    Numbers the morning afterRSVPs, attendance per group, no-shows, contacts for next time.

The night belongs to the film. The guest list belongs in one hand.

What is premiere guest management?

Guest management for a premiere is the organization of the invited guests of a media event from invitation to reporting: groups such as talent, distributor, partners, press and contest winners, personal invitations with RSVP and plus-ones, media accreditation, seating to the front row, tickets, check-in on the red carpet and at the theater door, after-party and attendance. Unlike open ticket sales, the list is closed and personal, and it keeps changing until the lights go down.

In AirLST, this is not a separate application but the event platform configured for the premiere: groups with their own rules, named plus-ones, accreditation as a separate registration path with approval, a seating chart with blocks, tickets per person and a check-in app that shows group, seat and notes.

A premiere does not need a perfect list. It needs one that is current everywhere at once.

How does a premiere run with AirLST?

  1. Set up groups. Talent, distributor, partners, press and winners with allocation, access rights (carpet, theater, after-party), arrival slot and seat block.
  2. Invite. Personal invitation in the look of the film, RSVP with plus-one, replies through agencies too; partners fill their own allocation (guest list).
  3. Accredit. Press path with outlet, role, photo or written press and position; approval in the list, ticket automatically (accreditation).
  4. Seat. Theater with rows and seats, blocks per group, named guests, plus-ones next to them; seat on the ticket (seating).
  5. Check in. Scan or name search on the carpet, group and seat at a glance, notes for your staff; theater door and after-party read the same data.
  6. Report. RSVPs, attendance per group, no-shows; contacts in the event CRM for the next launch.

Which data and building blocks does a premiere need?

Per guest: name, group, organization or outlet, contact and agency contact, RSVP, named plus-one, access rights, time slots for drop-off and photo wall, seat, ticket, notes such as restrictions, and attendance per station. For each press request, also the type (photo, written, camera), position and approval status.

The building blocks are standard in AirLST: invitation management, the guest list with groups and plus-ones, event registration as the accreditation path, the seating chart, QR tickets, the check-in app, event reporting and the event CRM. On site, accreditation, barcode scanning, access control and staff come through event access control.

Which formats does it fit?

Any audience event with a closed, personal guest list and mixed groups: the film premiere, the series launch, the TV taping with an audience and VIP tickets, the festival with several screenings and multi-day accreditation, the award show with tables, the press screening under embargo.

What is media accreditation for an event?

Media accreditation is the vetted admission of journalists, photographers and camera crews to an event: who may go to which position, carpet, photo wall, theater or press conference, in which role and in which time slot. It differs from a guest invitation because the newsroom applies and the press office decides, and because people change until the evening. Software for it needs a separate registration path with the press office's fields, allocations per position, approval and decline with a message, swaps of people, and a personal ticket created from the approval that shows the position at the entrance. That is exactly how accreditation is built in AirLST: as event registration with approval in the guest list, with ticket and scan like any other guest.

10FAQ

Frequently asked questions about premiere events

What is a premiere event?

A premiere event is the first public showing of a film, series or show, usually with invited guests: cast and crew, the distributor, partners, press and often contest winners, plus a red carpet, a photo wall, the screening and an after-party. Unlike a ticketed event, the guest list is closed and personal, and it keeps changing until the lights go down. That is the part AirLST handles: invitations, plus-ones, media accreditation, seating and check-in on one guest list.

How do you handle guest list changes right up to the red carpet?

With one guest list that is live at every station. A cancellation, a guest from the waitlist or an extra plus-one is entered once and shows up at the same moment on the carpet, at the theater door and in the seating chart. Whoever moves up receives ticket and seat by email or text message; printed lists that are out of date by evening are no longer needed.

How does media accreditation work for a premiere?

Through a separate registration path for press with the fields your press office needs: outlet, role, photo or written press, preferred position. The request lands in the press group, you approve or decline it, and the approval creates the accreditation ticket with a QR code. On site, accreditation, barcode scanning and access control are part of the AirLST services, with staff from event access control if you want.

How do you plan seating for a premiere screening?

With the seating chart: the theater is set up with rows and seats, and every guest gets a named seat. Cast and director up front, distributor and partners behind them, press in its assigned block. If a guest cancels, you move the seat instead of reprinting the list; the seat is shown on the ticket and in the check-in app.

How do you keep red carpet check-in fast and discreet?

Every guest and every plus-one has a personal QR ticket that the check-in app reads in seconds. Guests who should not have to show a ticket are checked in discreetly by name search. The app flags forwarded or duplicate tickets on scan, and the guest's group decides access to the carpet, the theater section and the after-party.

Can you manage plus-ones for cast and talent?

Yes. The invitation asks about the plus-one, either by name for ticket and seating chart or as an unnamed plus-one until the evening. Plus-ones inherit the group and access rights of the main guest, get their own ticket and sit next to the main guest in the seating chart. Agencies and assistants can reply for their talent through the same link.
Events made easy

Your next premiere. One list until the lights go down.

Groups, accreditation, seating, check-in: in 15 minutes we show you how your media event is configured in AirLST.